Care for Music

  • Research type

    Research Study

  • Full title

    Care for Music - an ethnography of music in late life and end of life settings

  • IRAS ID

    279557

  • Contact name

    Tia DeNora

  • Contact email

    T.DeNora@exeter.ac.uk

  • Sponsor organisation

    University of Exeter

  • Duration of Study in the UK

    1 years, 7 months, 1 days

  • Research summary

    This research will explore community music therapy and general musical engagement in scenes of care in late life and end of life settings. It will take place in two UK care homes and one UK hospice, and will be mirrored by a Norwegian study set in and around a hospital and hospice (separate Norwegian ethics application for those is being sought following the required Norwegian procedures).

    We are using ethnographic methods of data collection which involve participant observation (written up as detailed field notes), interviews, photography, audio and video recording, and informal conversations with all participants. These methods allow us to gather data to address important, and under-researched, questions about how real time musical engagement, embodied and non-verbal practices enter into the broader patterns of social life and social care in these settings in ways that have an impact on quality of life and wellbeing for residents, staff, family and friends. There are no quantitative measurement tools or methods capable of addressing these important research questions.

    This data will be analysed using a suite of bespoke analytic procedures that are relevant to the socio-musical processes involved. The first phase of analysis will make use of modified grounded theory to code field notes and interview transcripts, along with the music therapy ‘index’ to explore the micro features of socio-musical interaction.

    The second phase of analysis will employ Ansdell and DeNora’s ‘musical event’ scheme (DeNora 2003; DeNora 2013; Ansdell and DeNora 2016; DeNora and Ansdell 2017) so as to be able to trace the ways that music and past musical practices are drawn into social/embodied interaction in real time and drawn on into future interactions in ways that shape the cultures of care in the sites, as well as the personal identities, memories and capacities of individuals within those sites.

  • REC name

    London - Camberwell St Giles Research Ethics Committee

  • REC reference

    20/LO/0399

  • Date of REC Opinion

    14 Apr 2020

  • REC opinion

    Further Information Favourable Opinion